Profiles in Degeneracy

Bill and I recently knocked down a bunch of wasps’ nests around my house, and I posted the following to social media:

Some folks laughed, and the rest had no idea what I was talking about. I got a few questions about it, and I realized that I never really talked about this in public, or at least not widely, so here it is. It’s a very strange story.

In late May of 2010, I was in the now-defunct Austin location of the now-defunct Domy Books, which was run by my old Houston friend Russell. Domy was an amazing place, half art-gallery, half art-bookstore. I fell in love with the Houston location when we lived in Houston, and then was delighted when they opened another store in Austin. They had all the best zines, all the best art-books, all the best local and crazy art. It was great. The Austin location has been subsumed by Farewell Books, which continues the tradition, and still does amazing things.

But now I’m getting sidetracked.

Russell had told me that there were some great new zines, and I’m a giant ‘zine nerd (obviously). I was flipping through them, and pulled out some great stuff. Give Up had put out a new ‘zine, and King-Cat had put one out since I’d last been there, and I was piling up a small stack. Then something strange and unexplained happened.

I’ve had a small handful of genuinely supernatural or inexplicable things happen to me. I saw a man when I was six in Albuquerque who had to be dead, and yet he was walking through a vacant lot. The eyes of a bust in Davenport in 1987 briefly flashed red. I had an important dream in 2012 that came true (and, more importantly, gave me time to prepare).

In May of 2010, in Domy Books, I flipped through the box of ‘zines. I got to the end. I saw the empty end of the box. Then, there was a strange flash, and the smell of ozone, and I got an electric shock in the knuckles of my right hand (the hand touching the box). Then, a small book appeared out of nowhere in the previously-empty spot in the box.

Profiles in Degeneracy Auction Catalog, Summer 2010.

At this time, I’d already been subscribed to a Hollywood memorabilia auction catalog, so I knew exactly what it was– a small-run book, advertising the particular lots that would be auctioned off at a future date, usually accompanied by photos and short descriptions. Except instead of autographs, props, and movie posters, this auction catalog was full of memorabilia of an entirely different kind– gruesome, horrifying, disturbing, titillating. The title was apt– these were accoutrements to some of the most degenerate events, actions, and people I’d ever seen.

So, of course, I was intrigued. I asked Russell about it, and he said he’d never seen it before, and it wasn’t anything Domy was selling. So I took it home with me without paying for it.

Once I got home, I discovered something even more bizarre. The memorabilia had titles, descriptions, and photographs regarding people, places and things I was familiar with– but in an entirely different context. This auction catalog had appeared wholesale from an alternate dimension. In the world where this auction catalog was created, Dan Quayle was not the 44th Vice President of the United States, but a serial-killing taxidermist from Indianapolis (taxidermied raccoon with human teeth and hands sourced from his victims, estimated value $85,000). Ray Kroc was still the founder of McDonald’s, but in this dimension he was also accomplice to Ed Gein, who contributed to the initial McDonald’s franchise cookbook, before they were both arrested and executed in Milwaukee in 1974. (One of ten extant copies of that cookbook, est. value $300,000.) John Wayne Gacy was still John Wayne Gacy (Pogo the Clown Painting, $2800.)

And Wolf Blitzer… well I’ll just share the relevant two-page spread with you.

Warning for the upcoming material, in case in wasn’t clear already: this is Not Safe For Work.

Posted in Uncategorized | Leave a comment

LIES ABOUT SPIDER-MAN

The 1970s Electric Company adaptation of Spider-Man, “Spidey Super Stories,” was originally envisioned very differently. PBS had pressured the Children’s Television Workshop for more “crossover” programming, which was intended to appeal to children while incorporating popular adult interests.

In the winter of 1973, they filmed the first episode of “Spider-Man’s Finnegans Wake.” In addition to Spider-Man, it featured Morgan Freeman’s “Easy Reader” character as a sort of Mysterio-By-Proxy / Finnegan, already dead but constantly in view. The episode began with Spider-Man reciting a variation on the first line of the Joyce novel:

Zoinks, gang! A way a lone a last a loved a long the Hudson river, past the Port Authority, from swerve of Brooklyn to bend of The Bronx, brings us by a commodius vicus of recirculation back to Central Park and Environs!

In test screenings, both children and adults disliked it with a fierce and unbridled passion, with 75% of child viewers stating unprompted that they “fucking hate[d] Spider-Man now,” and one adult viewer tearing up his pocket copy of Ulysses and wiping his own bottom with it.

* A similar attempt was made in the 1980s to cross “Fantastic Four” over with “Gravity’s Rainbow,” but John Byrne’s failure to grasp the source material led to an opening splash page with the Human Torch just flying over the iconic New York City skyline, shrieking the entire time. Jim Shooter wisely killed the story, but The Thing’s new catchphrase, “It’s Postmodernin’ Time,” persisted for three issues in 1984.

Posted in Uncategorized | Tagged | Leave a comment

DREAM JOURNAL: RECURRING

In the wake of gerrymandering and Crosscheck voter invalidation, the United States government has finally become a full-on evangelical theocracy, enacting biblical punishments for all transgressions. They’ve also adopted the non-evangelical notion of “purgatory” out of a sense of expediency and necessity.

When you’re arrested for any non-mortal sin– or even if you give confession for those sins– you can be put into suspended animation to serve your “purgatory time” immediately. This helps alleviate overpopulation, and there’s a political component, in that those in suspended animation are unable to vote. Those offenders with views opposing the government / church face a much higher rate of purgatorial punishment.

I’m a freedom fighter, looking to illegally resurrect a purgatory-dweller. I drive a small hovercraft / antigravity ship– it’s car-sized, more like a skiff or a convertible. It can fly up, down, sideways, upside down– the floorboards are always “down,” gravitationally. There isn’t a top on it, but a top would be unnecessary, as global warming has forced all the cities into massive walled-off domes. I continue my search, deep into the archives full of glass coffins packed with those who are suspended in purgatory. They go on and on and on, for miles.

Also I have the unique ability to travel back in time, exactly one year from whenever I choose to exercise the ability. Once I’ve done so, I have to live forward in real-time, and cannot skip ahead.

If I fuck things up too much and change or damage the timeline too drastically, the shadows will come for me.

I’m in love with the purgatory-dweller for whom I search. She’s a fierce political activist, and can rally dissent magnificently.

I keep searching.

Posted in Uncategorized | Tagged | Leave a comment

DREAM JOURNAL: 03/20/2016

I’m walking through a wooded area, but the trees are all in neat rows. Looking to my left, I see a serpentine, floating beam of light, roiling through two rows of pines. It moves, but not in a straight line like a flashlight beam: It drifts and carries the light with it, like luminescent smoke. Illuminated smoke. Only I can see it. It disappears or dissipates quickly.

I keep walking. There are people walking near me, but we are not together. Periodically, looking left, I can see the luminescent smoke, and I finally understand that it functions like a fiber-optic cable– if I were to catch the end, I could look through it and see what’s on the other end. It never stays long enough for me to catch it.

The group of people grows. We do not speak. We do not interact.

At last, the beam appears and lingers. I can see it. I run to it and stare down it.

A man at the other end slowly turns. He’s wearing a shabby green-brown shirt and a faded red baseball cap. His face is darkened by shadows. He is unshaven. He has very bad teeth. Instead of eyes, he has small white suns in his head. They’re almost too bright to look at.

Now he knows who I am, and he will come, and he will find me.

I woke up shivering with the most intense goosebumps.

Posted in Uncategorized | Tagged | Leave a comment

DREAM JOURNAL: 11/14/2016

My car has been in the body shop for so long that the insurance company doesn’t want to keep paying for a rental, and I’m forced to return the one I have and figure out other arrangements. An acquaintance loans me a beater– an old white ’80s four-door sedan, long and chunkity. It runs okay until I’m driving toward an underpass and all four wheels come off at the same time.

I get out of the car, and hold up my hand to stop the oncoming traffic, which stops impatiently. “Shit,” I think, and I sigh. I put one hand under the front bumper and one through the passenger side window, where I can grab the handle, and then hoist up the car with my bare hands and carry it to the side of the road. I gather all the tires and throw them in the trunk.

It’s too late to get four new tires at CostCo, so I pick the car back up and carry it through some wide double doors into a Mexican restaurant and put it up on a tall planter while I use the restroom.

What a pain in the ass!

When I come out of the restroom, there is a small crowd gathered around the car, which is now sitting, tireless, on top of a tall planter. “Oh shit, I’m sorry,” I say. “Let me get that out of here. I guess I’ll just carry it home.” I grab the bumper and the oh-shit handle and pick up the car again.

“Hey, if you need a car for a couple days, I can loan you one,” says the woman running the place. “It won’t be good, but loaners aren’t supposed to be good. It’ll get you where you need to go.”

“Really?” I say. “That would be a lifesaver.”

It isn’t until I wake up that I realize that everyone in the dream was flabbergasted that I could just pick up an entire car and carry it around.

Posted in Uncategorized | Tagged | 2 Comments

REUBENS BAKED IN PUMPERNICKEL BRIOCHE

So, I keep up with a lot of folks on the ol’ social media. One of my old friends, Sandra, has been an amazing pastry chef for more than a decade, and has recently been having a lot of success lately with her new bakery in Minneapolis. It’s called the Savory Bake House, and although I have not eaten there, because I do not live in Minnesota, I follow both Sandra and the bakery itself on social media.

Last week, this cropped up on my feed:

Now.

I’ll be goddamned if that doesn’t look like the most amazing and delicious thing ever.

(Also, #cleanmeat needs to start trending, across all topics and platforms, because that is a hilarious hashtag.)

We were gonna have a few folks over this weekend for a swimmin’ pool trip– kind of a rarity, in my post-parenthood lifestyle. I love to bake and I like making things that are delicious, so I figured what the hell, why not give these a shot? I gave Sandra a shout (bear in mind, I’ve known her more than half my life), and after swearing me to secrecy, she gave me the recipe for the strange brioche fold-over for sandwiching.

I consider myself a fairly skilled amateur baker. I can make some pretty good breads, including some pretty tasty brioche loaves. But I’ve never tried to do this thing, where you bake an array of things inside another thing. I make this hella-tasty prosciutto bread, but that’s a bit different: the point of that recipe is to make the prosciutto melt into the bread, imbuing flavor-ham; here, the tasty innards are intended to stay cohesive. It’s recursive baking. I was pretty nervous, so I thought I’d document that anxiety, and then I’d have an interesting document whether the experiment was a success or a failure.

I think you can tell how nervous I am.

I was so nervous, I didn’t document the creation of the dough! But, y’know, that’s probably for the best. I also went off-book and took some extra steps– substituted some molasses for another sweetener, added unsweetened dutch-process cocoa powder for color, and threw in a bunch of toasted caraway seeds. It’s never enough to try a brand-new recipe for a brand-new type of dish, because I am a smartass. I wanted to make this into a pumpernickel brioche Reuben sandwich (with a vegetarian alternative for some folks).

So, there’s a bunch of corned beef in there. This is the non-vegetarian option, obviously.

#cleanmeat.

Then the sauerkraut and cheese. I don’t know if the cheeses were organic or not, so I can’t cut #cleancheese for this. I did use organic sauerkraut, though, which I drained and sizzled up in a pan pretty nice, both for color and to get rid of excess moisture.

#cleansauerkraut.

I used a ratio of like 3 to 1 tasty baby swiss to spicy pepperjack. I love swiss on a reuben sandwich, but I wanted a little bit of tang, especially because I was going to be omitting the Thousand Island dressing (because Thousand Island is gross, and also because I had another super-experimental idea I wanted to try. More on that later).

I did a layer of corned beef, a layer of sauerkraut, and then the cheese– to seal the sauerkraut in as much as possible, and prevent moisture from messing up the sweet, sweet experimental pumpernickel brioche.

Then, the folding over.

The dough was so thin. I was terrified the whole thing was just going to turn out to be the world’s worst taco. A gross-ass caraway-infested crispity shell around a giant wad of corned beef and cheese and sauerkraut.

My concerns almost ruined a perfectly-good trip to the swimming pool!

Okay, that is not true at all. I had a delightful time with some wonderful pals, all swillin’ back tasty beers (holy crap, y’all, that Boulevard Ginger-Lemon Radler is the perfect poolside beer; they ain’t even payin’ me to say so, I’m just proclaiming on it because it is so damn tangy and tasty on a hot summer’s day). Also, my kid is starting to warm up to splashing around in the water, so that’s always a good time. Here is a picture of that, which is totally unrelated to this recipe or the processes involved in this recipe:

After a day spent splashing and drinking and doing lazy laps, we returned to the house, where the dough still had not risen, like, at all. When I texted Sandra to ask about it, she said:

“It never does [rise]… I feel like part of the success is that it works best if it makes you nervous.”

I did a last-minute egg-wash on the bread (one of my coworkers keeps chickens, and he gives me these incredible free-range pasture-fed eggs, which taste better than any eggs ever), and then bunged them into the oven for a while.

And man, I was so incredibly relieved when these turned out well.

The bread really puffed up beautifully just in the oven, going from a quarter-inch to three-quarters of an inch of just fluffy, eggy, buttery brioche, all piping hot and approaching almost flakiness.

Here’s a picture of the vegetarian version, which used tempeh, sauerkraut, and cheese:

And now one more picture of the array of sandwiches, because I’m so proud of them. Like a new papa. Well, like a new papa who then turns into a cannibal and scarfs down his creation.

Okay, so here’s a long-winded addendum. I mentioned earlier that I skipped the Thousand Island, because it is gross. Another reason I skipped it is because I wanted to do something else.

There’s a small neighborhood bar in the Little Russia part of Topeka, Kansas, called Porubsky’s. It’s kind of hard to find, in an area mostly filled with little houses, and it’s only open for lunch. At Porubsky’s, they make these things that they charmingly, understatedly call “Hot Pickles.”

Calling these things “Hot Pickles” is like calling dry ice “Chilly Carbon Dioxide.” They make these things with some sort of hellacious wasabi extract– maybe it’s horseradish oil, maybe it’s hot mustard oil, maybe it’s some bizarro combination of everything that punches you in the snoot and disappears completely after a few seconds, but whatever it is, it is delicious, and it is not playing around.

I wanted to turn this into a relish. What’s more, I wanted to turn this into a relish that normal people– which is to say, people who wouldn’t want to just put a spoonful of asian hot mustard into their mouths– would eat.

So I blended a bunch of Porubsky’s pickles with sweet gherkins, and dill pickles, and sriracha pickles, and roasted red peppers, and a couple different kinds of vinegar (for funsies). I did this in a food processor. I ended up with what looks basically like a cherry pepper relish, and which gives you a small love-tap on the snout and then backs off really quickly. It was the perfect compliment to the sandwiches, if I do say so myself.

Man, these sandwiches.

Sandra says she uses the same recipe, or very similar, to create sweet things as well– cinnamon rolls, sweet mini-brioches, and something she called “mixed berry cream cheese rolls,” which oh my goodness I may just have to try.

I’ll leave the relish off those, though.

Posted in Uncategorized | Leave a comment

THAT TIME THE ROBOT LITTERBOX DIDN’T WORK

As a cat owner, I handle feces regularly. Handling feces is gross. Many other cat owners are also not super-crazy about handling a whole bunch of feces, so we sometimes talk to each other about ways that we can minimize the feces-handling.

Today someone linked me to a brand-new “best litterbox ever,” this one a Kickstarter sensation that has gone on to be well-liked by a number of people with small furry purring poop machines in their house. It looks problematic to me, but it also reminded me that I have never encountered a decent “better litterbox” than a big tub filled with some sort of medium, into which the kitties crap.

I only had one truly horrendous experience, with the CatGenie. This happened five years ago, and I have no idea if the fine folks at CatGenie have upped their game, so take this with a grain of salt and don’t use it (entirely) against them.

The first, say, five months I had the CatGenie, it worked as it was supposed to. It consists of a rotating bowl, a bunch of plastic granules which serve as the litter, a raising and lowering scoop-like spatula, a hopper, and a flusher. It’s hooked to a hose and a drain. When a cat craps in the box, the intention is this: The spatula lowers, the bowl rotates; the turds are captured in the spatula, letting the granules through. The spatula raises, dumping the turds into the hopper, where they’re washed down the drain and whisked out to sea. The hose flushes water into the bowl, where the plastic litter is rinsed. Then an air-dryer dries the granules, and it’s ready for the next cat-crapstravaganza.

SCIENCE!

After five months, the whole thing went awry. I contacted CatGenie, and they were fairly helpful, sending me a replacement “engine” for the thing; and then another, and then a third smaller replacement part. Then, things started to get really bad, and that’s when I emailed them this:

Hey, CatGenie–

I’m at my wit’s end with the CatGenie. Thanks to your help last month, and the shipment of two different main unit replacements, I’ve gotten the CatGenie to a point where the bowl rotates the whole time without stopping (instead of pausing for long periods of time where nothing happens), the air blower does in fact dry the granules (instead of leaving a pile of soggy plastic bits), and the arm does raise and lower effectively when the main processing unit tells it to (instead of staying up or down the whole time and accomplishing nothing).

The problem I’m having now is, frankly, awful. Instead of scooping up the cat turds, dropping them into the hopper, and flushing them, the CatGenie seems to be basically straining the turds through the scoop by breaking them into chunks small enough that the scoop is unable to effectively pick them up. Then, after breaking the turds up, failing to scoop them, and leaving them mixed in with the granules, the CatGenie blows hot air over the tiny turd chunklets, filling my house with the rancid, disgusting smell of hot feces. So when I get home from work, or when I come downstairs in the morning, that is what greets me.

I am including a photo of the CatGenie immediately after having run a cleaning cycle. The dark bits are the turd chunklets. You will notice also a massive wad of poo on the arm itself, where it has mashed a turd into the bottom of the bowl and then tenaciously clung to it, which is also not an uncommon phenomenon. Usually when this happens I use a paper towel to remove the turd-wad from the arm. I use the same paper towel to pluck out the turd chunklets and manually dump them into the hopper. All of which seems to go explicitly against the reason I got a CatGenie in the first place, which was so that I would rarely have to handle cat poo.

Honestly, I can’t think of anything that would prevent me from returning to a nice, civilized, covered catbox with scent-dampening clay litter, throwing this thing into the dumpster, and warning everybody I know about the failure of the CatGenie to function. However, I now present you with an opportunity to change my mind, present a solution to this seemingly insoluble never-ending series of problems, or otherwise alleviate my utter disappointment with your product.

Thank you,

x

The mashed-up turd is only barely visible, on the lefternmost part of the spatula.

I never heard back. In all honesty, I was at my wit’s end with the thing and could not foresee any possible solution. In my furious insanity, I deliberately wrote this letter in as provocative and florid a manner as I could muster. I imagined that the people at CatGenie would read it, laugh, and offer a full replacement as a solution, instead of what happened, which was nothing.

I am not angry at the CatGenie people, at this point, because their product was fundamentally flawed, and they must have been inundated with complaints from people like me. Many of the complaints must have been much more vocal about their hatred of the scent of fresh-baked turdlets waking them up in the mornings (I have always maintained a policy of being even-tempered with Phone Helper People, because I have been on the other end of that phone). They did what they could with what they had.

I’ll stick with a big tub full of a granulated medium that can accept whatever my cats dish out.

Posted in Uncategorized | Leave a comment

THE OTIOTICS OF THE ODORIFIC HONORIFIC

Man, what a strange weekend.

I went to a University of Iowa alumni meeting at a local bar, because the beer was free, and I know a few UI grads in town. I figured it’d be a pretty good time to just hang out, even if I only hung out with my friends the whole time and didn’t really do any networking or anything.

When I got there, none of my friends were there yet, so I just sort of hung out at the bar and stared at the televisions, periodically looking around for people I knew. A whole bunch of strangers, but down at the other end of the bar, nursing a beer and looking lonely, was Ryan Gosling, just hanging out by himself. I was baffled. What was he doing there? Why wasn’t he being mobbed by people?

Well, I was a couple free beers in, so I wandered down to the other end of the bar and sat down next to him. “Hey, man,” I said. “University of Iowa? Class of ’02.”

“’14,” he said. “Ph.D. in Otiotics.”

“No shit,” I said. “I only went there for undergrad.”

None of my asshole friends were showing up, so we just kept chatting. I’d had no idea he was a UI Alum, but apparently he did his time in earnest, even wrote a whole dissertation. And because he’s Ryan Gosling, some commercial publishers were asking him to rewrite it in non-academic language to publish as a mainstream book. Fascinating, right?

“Man, you’re actually interested in my dry-ass academic writing? It’s pretty niche.”

“Hell yeah, I am. It sounds super weird.”

“Well hold up, I’ve got a copy in my car.” He left and then came back, handing me a weird book with vellum pages and leather binding– like, actual leather. I guess Ryan Gosling can afford to have his books printed and bound in a pretty fancy way, and not just slapdash jobs at the local University bookstore. I flipped through it, and each page had something completely strange on it– spot-varnish embossed Hebrew characters, or lacquered characters in Arabic, only visible at certain angles.

“What’s with the weird spot-varnish foreign language stuff?” I asked.

“Oh man, no one’s noticed that before,” he said. “Don’t worry about it.” He seemed kind of upset, so I didn’t follow up.

I kept reading, though. The first third of the dissertation was a collection of lab experiments, but they were all written in a variety of different styles. Some were a lot more literary than they were strictly academic / scientific. I was totally digging it.

The title of the dissertation was “Geographical Origination Identification Via Borborygmatic Emission Descriptors,” which meant nothing to me. When I asked him to summarize, he kind of smirked. “It’s all about how I can tell where someone’s from based exclusively on the way they describe the sound of a fart.”

“You’re crazy, Ryan Gosling,” I said.

Anyway, a few beers later, we headed down to the Salt Lick for some delicious barbecue. When we got there, the place was closed for a private event, but I guess being with Ryan Gosling has some benefits, because they let us in anyway. We stood out horrendously, because everyone else was wearing black dress clothes– it turns out that the private event was a wake. In the middle of the courtyard, there was a huge temporary-construction aboveground pool, and floating in the pool was an open old-timey wooden casket with a dead woman inside.

The barbecue was incredible.

Posted in Lies I Have Told | Tagged | 1 Comment

OH DON’T ASK WHY

So, an internet forum that I frequent recently had a post asking for recommendations for “the best whiskey bar in Manhattan.”

Welp. I couldn’t resist:

If you’re looking for the best whiskey bar in Manhattan, look no further than The Horny Pteranodon. Located in the storage room of a 7-11 on 53rd and 3rd, this place has everything: Dinosaur RealDolls, frozen coproliths instead of ice cubes, Pachydermabrasion– that’s that thing of where a little person wearing an elephant skin runs real fast past your bare legs– and so much more. To get in, just look for the doorman dressed like Dr. Alan Grant, and hand him a plastic miniature triceratops.

Posted in Uncategorized | Leave a comment

MATER SUSPIRIORUM JUMPED THE GUN: ARGENTO’S TENEBRE, INFERNO, AND PROFONDO ROSSO

As I wrap up my #31DaysOfHorror, I’m getting to some interesting things indeed. I’m a big fan of Dario Argento, but it’s really just been for Phenomena and Suspiria, two incredibly beautiful Italian horror movies. I discovered Suspiria in high school and it changed my life, the way a handful of horror movies have. However, up until this month, those were the only Argento movies I’d seen. That felt shameful (rightfully so), and so this month I’ve really been taking the opportunity to step up my Argento game. Earlier this month, I caught up on my old Dario Argento gialli, with The Bird with the Crystal Plumage, Cat o’ Nine Tails, and Four Flies on Grey Velvet.

Today, I’ll talk about three more of his movies that I watched this month: Profondo Rosso, Inferno, and Tenebre. I’ve now seen everything he directed up through 1985, but I’m leaving a few unwatched at this point; word on the street is that there are a few more good ones, and then a great big pile of schlock. Anyway, the three I watched were all pretty good. Let’s go from newest to oldest (which also happens to be least to best).

Tenebre (1982)

Although I referred to this movie one sentence ago as the “least” of the three, that doesn’t mean this wasn’t a good movie. It’s a gripping story, full of murders, twists, and turns; the blood flows tempera-red and plentiful. An American horror author, Peter Neal, comes to Rome, which has been racked with a few murders. The murderer’s most recent victim was found with pages from the author’s most recent novel stuffed into her mouth. The murderer himself calls Neal and threatens him.

Argento had this to say about the basis for the movie:

[S]omebody called me… to talk about Suspiria… [and] called again the next day to ask if he could meet me. He confessed that Suspiria had made a very strong impression on him, like a jolt of electricity, and he wanted to ask me if making the film had given me the same sensations. That put me on my guard. Day after day he called me to confide more and more horrible things and, at the end of the fifteenth call, he told me that he wanted to kill me. He was insane… He swore he would have my skin.

This movie is incredibly deliberate in its construction and progression. Every character serves multiple purposes; each societal role is fulfilled by more than one character, and each character fulfills at least two societal roles.

Ideally, I’d have time to watch this again and do a more thorough deconstruction (and maybe at some point I will), but it’s already the 30th, and I have two more movies to watch, and two more movies to discuss in this blog post.

Here’s an image of a dude getting an axe to the skull.

I didn’t include any animated gifs for Tenebre because I wanted to maintain at least some semblance of brevity while still discussing three films, but there are a number of choices, had I gone that route; there are a number of incredibly shocking and beautiful death scenes, and a single two-and-a-half-minute uncut crane shot that circles and swoops around the outside of a house. A two-and-a-half-minute animated gif would break the internets, so I’ll just put a YouTube link here.

Four out of five stars.

Inferno (1980)

Of the three, this is the movie that I was the most looking forward to watching. The direct follow-up to Suspiria, this is the second movie in Argento’s proposed “Three Mothers” trilogy (the last movie, The Third Mother, came out more than a quarter-century later, in ’07, and I have not seen it). Additionally, it’s one of only two of Argento’s pre-1990 ventures into supernatural horror (the other being Suspiria), although I’d make an argument for Phenomena as well.

The world of the three mothers has its own, Argento-built mythology, which is itself based on a tiny scrap of feverish, opium-addled writing by Thomas De Quincey. There are three mothers– Maters Lachrymarum (tears), Suspiriorum (sighs), and Tenebrarum (darkness). Each of them has a horrible, evil house in which they dwell, and from whence they spread suffering and sadness. In Suspiria, the antagonist was Mater Suspiriorum; in Inferno, it’s Mater Tenebrarum, who occupies a massive, odd apartment building in New York City.

Rose, a poetess, finds a book about the three mothers, and pieces together that she is living in one of the mothers’ houses; that screenshot at the top of this blog entry is from her initial discovery. She writers a letter to her cousin Mark in Rome, asking him for help. He tries to read it in his music class, but is distracted by this daffy broad staring at him:

Mark leaves the letter behind and bails. The letter is found by a friend of his, Sara; she reads the letter, is alarmed, and tries to express this to Mark. Eventually, he makes his way to New York, to aid Rose.

By the time he makes it there, a whole lot of people are already dead, caught in various nightmarish scenarios.

Once in the building, he befriends another resident, and the owner of the pawn shop next door, but his path is already beset and plagued by Mater Tenebrarum. The rest of the movie plays out beautifully. While it lacks the supersaturated color of Suspiria, the set pieces retain their creepy beauty, and the fairy-tale, dreamlike logic of the film follows its predecessor masterfully. All of this was helped by the fact that Argento had Mario Bava on hand to handle a fair amount of the special effects and matte work. Two masters at their craft, creating a gorgeous nightmare.

Four and a half out of five stars.

Profondo Rosso (1975)

This is the one of the three that I was most curious about. It had always been held up as one of his masterpieces; my friend Jay maintains that it’s his favorite, even over Suspiria, which made me question his taste altogether. Alternately, I had hoped that he’d be right. Although I’ve thoroughly enjoyed all of the other Argento movies I’ve seen, nothing comes close to Suspiria. Well, after watching it, I can understand Jay’s point completely. The movie is beautiful, it’s really well acted, the sets are outstanding, and the plotting is tight.

Nothing can touch Suspiria, but this comes the closest of all the Argento movies I’ve seen.

The movie’s about an Marcus, an English piano teacher in Turin. While walking home, he can see her from the street, banging on the window and screaming for help. As he watches, unable to provide assistance, her attacker forces her halfway through the window, where she lands neck-first on the jagged broken pane. Marcus rushes up to provide assistance, but it’s… too late.

Haunted by the murder, and certain that he holds the key to the identity of the murder in his memories of rushing up to the apartment, Marcus begins to investigate alongside the police. A number of people meet their ends in various beautifully horrifying ways: a woman is scalded to death in a hot bath. A man has his face– his teeth, really– bashed into various pieces of furniture until he’s senseless, at which point he’s given the coup de grace.

These death scenes are pretty rough, man.

The movie uses a number of interstitial flashbacks and dreamlike sequences to masterful effect– there was an inciting incident years in the past, involving a small child who may or may not have grown up to become the murderer, and a number of low-and-slow pans over childrens’ toys and other objects.

Eventually, through convoluted research methods, Marcus tracks the killer to an old abandoned villa, and tracks a killer– and is tracked in turn– through a darkened and beautiful shambles.

Eventually, things boil to a head.

This movie is fucking great.

Five out of five stars.

Posted in 31 Days of Horror, Horror Movie Reviews | Leave a comment